h 410x110x110 cm
Iron and cement 2016
How can we not think about the many interpretations the history of art has given us about the famous “Resurrection” by Piero della Francesca? About the central figure of Christ that in the Renaissance masterpiece appeared hieratic and refulgent but is substituted here by an aniconic language that in the rough essentiality and humbleness of the material hints at the idea of a redemption, a victory, an ascension as a liberating gesture of ancient and even Tolstoyan memory.
